Here is the scientific explanation. The bias flows through the windings of the transformer which are about 0.1 ohm, virtually nothing. If you try measuring to any tap you will get about the same reading. Perhaps you are thinking that the bias if flowing to the tap where the speaker is connected. It is actually flowing to the center terminal which is ground. The bias, and the measurement of it, has no knowledge of where your speaker is connected or if it is connected at all. You can adjust the bias with nothing connected. This is true of most amplifiers, though some may become unstable, mine won't mind.
I find it easier to use either of the center terminals (ground) for my negative probe and leave it there for all 4 tubes. I recommend that you put the negative probe under the cap and tighten it for a good connection. Correctness of readings requires a good connection. All metals, including the probes have a thin layer of oxide on them. That is why readings can fluctuate unless you press hard. That is why probes are sharp (or should be) to break through the oxide.
The test jacks are actually miniature banana jacks and we can make you a set of long probes or sell you the mating plugs if you want to go that route. It allows a more stable connection which is good if you want to monitor the bias over time which you might do if you suspect a bad tube.
One more thing about bias... Where do you think we (designers) get the value? Answer....We make it up. It's not in a book or data sheet unless you are building a published application, which is what most of our competitors do. When a designer is developing an amplifier he will usually notice that the amp has less distortion as he rasies the bias. Some are tempted to go beyond the book's recommended bias or dont consider what will happen when one owner has high line voltage. That's what people mean when they say "most tube amplifiers come right out of the book". The "book" is the RCA, GE, Mullard, Genelex, or Telefunken tube manual. The applications are usually written by engineers from the company that invented the particular tube. Interestingly enough, the other manuals simply copy the original applications word for word (and value for value). Genelex published a whole book on the KT series with some interesting applications that I have never seen in a commercial product. The RM-200 application is not in the book, I made it up from my understanding of tubes, transformers and circuits. Have a look at this thread currently under discussion by ttan98 where we are discussing the RM-200 vs typical KT-88 amplifiers.
http://www.audiocircle.com/index.php?topic=125760.0 What he is referring to is a typical KT-88 application like the Dynaco MK III. That is an Ultralinear application right out of the book. In this case I think David Hafler and Herb Keros wrote the application and the data books picked it up due to its popularity. (Hafler claims to be the inventor of the Ultralinear connection, but the Brits disagree.) What happens is owners, and designers, see lots of 50-60 watt amplifiers with those tubes producing that power and assume that's just how it is. Well, there are an infinite number of applications, as many as we can think up. Some good, some bad. Some applications are modified and pushed beyond safe limits. Some have very short tube life and are fussy about the tubes. The RM-10 gets over twice the power that previous applications have yielded. Every now and then the DIY or Asylum community gets upset about my power claims and says "wow Roger must really burn up the tubes". However the tubes last a very long time, often longer than in the typical lower power applications from Dynaco, Fisher, Scott, etc.
At the risk of making this too long perhaps I should explain what an "application" is. It spells out the specific voltages, currents, negative bias and transformer impedance that will result in a particular power output. It does not include transformer losses or consider the effects of feedback because those are specific to the parts chosen by the user of the application. However it does give enough information so that someone need know very little about tubes and get an amplifier circuit running with parameters that won't blow up the tube. David Manley and I got into a discussion in Stereophile some 25 years ago where he insisted that the applications were written in stone and that other applications were heresy. We had a lively discussion which I should someday reprint.
In my designs I run lower bias (current) than most amplifiers because I want to tubes to last 5-10 times longer than Audio Research or CJ. It's easy to make a good sounding amp running the tubes at their max but then they only last about 1000 hours. It's much more challenging to make a good sounding amplifier (and one that is not embarrassing when John Atkinson measures it for Stereophile)
http://www.stereophile.com/content/music-reference-rm-200-mkii-power-amplifier.