In my amps, I've used 24awg teflon insulated CAT 5 twisted pairs for the signal wires and 16awg cheap stranded Radio Shack wire between the the power supply and the amps (and 14awg Volex power cords, soldered to the power switches).
While prototyping, doing the biasing, etc. I use quick disconnects or tack-soldering. When all is well and the music sweet, I solder everything down. Two years ago, while tweaking my old NAD 7020 reciever (this was my first "tweaking victim"... it turned out pretty good, actually, but definitely not in the same league as my AKSA), while I was learning, I made a few bad solder joints that I could actually hear... I would replace a cruddy old cap with a nice film cap and hear sibilance and maybe even a little distortion, all fixed when I looked at the new solder joint under magnification, found it "clearly sick" and reheated the conection with a little fresh solder... then the music was sweet again. Given that expereince, I'm not inclined to trust temporary connectors with my music.
Peter