My understanding of the phase control on the A370's is that it is a linear phase style filter. That is a constant time delay style control that can be adjusted to take into account positioning of the subs. Convert the distance from the listening position to time delay (Td=D/(1130ft/sec)), where Td is delay time and D is distance from sub to the listening position.
That should be a good place to start since all the A370 controls and sub locations will then be timed to the listening position.
While this is true, it's important to remember that the low end from all of the subs us bouncing off of all of the walls and then returning to all other places (up, down, left, right, etc.) so with more subs you have more bouncing of different frequencies around the room. Delaying them to one spot in the room can work, but it might put another spot out of phase, especially if the room is oddly shaped or the subs are different lengths away from walls. Again, this can work, but it's complicated and it might only work at a specific listening position more than (for example) a few feet away from the center listening position. And even if you delay your subs to each other, you have to get them to be in phase with the main speakers since those usually go as low as the subs. Otherwise, you might just be adding energy, but not volume and punch with more subs. It's often the case that the mains need to be delayed to the subs, but we use the delay on the subs which can put them one cycle (or more) behind the mains. This will cause low end smearing and a drastic loss of clarity (but might sound like it's correct since you haven't heard what it's supposed to sound like). I have used several different types of sub configurations (mostly in large scale venues) and even frequency coverage often sacrifices punch and power. It's a game of compromise.
Though I've never used open back subs, I would think that they would do better with multiple positions in the room since they should be activating the room more evenly, but I've never experimented with it.