Yeah, I was a little too anxious to see what the Quiescence C had to offer direct from my turntable to SUT. This with only the 100 hour break-in Pez provided. Although I heard great potential and an uber quiet presentation, I sensed more break-in was needed. Unfortunately, not much was going to happen break-in wise being fed the wimpy signal from a low output MC. Went back to my Moray James IC from the Amadeus to SUT and placed the Hapa QC between SUT and phono stage. That combination is truly sweet. Now after a few months with the Hapa being fed the stronger signal provided by the SUT, I'll switch these two cables around again. This all said, I undoubtedly hear a great deal of potential when using the Hapa Q on the analog side of the equation as well.