Straight out of the box, positively amazing.
Quite a bit rosier than I'd expected -- less like a Linn or Joseph or Devore and more like a Vienna or a Spendor, not at all a negative in my 10x12, poured concrete room.
Forgiving with respect to placement but still eager to show-off differences in front wall setback and toe-in. Comfortable with all genres of music. Oh, and entirely by the way since I'm not married, GORGEOUS to look at.
Lots of experimentation to follow. Immediate consequence is that my re-cabling plans have gone overnight from all copper to all silver.
If on first impression (about an hour of low-volume babying) I had to sum them up in a single word, that word would be: AGREEABLE. They don't want to grab me by the scruff of the neck and rub my face in the symbol-crashes, like my Linn Ninkas, and they don't want to be tied to the back of a tractor and dragged up the hill like my friend's B&W's. They want me to forget all of that and get back to thinking about the source material, instead.
Perhaps not as detail-oriented or soundstage conscious as the SOTA specimens in each of these departments, but some of that is down to break-in and placement and, besides, the SOTA in detail and soundstage would be way, way, way too forward in my room.
A terrific all 'round performer so far.
Stay tuned....