It's been three weeks since I re-placed the SWL in my main rig. I sent my SWL sent back to Dan for the upgrade a while back. I got the unit Friday before Christmas, but I was on my way out of town. Dan tells me that he practically rebuilt my preamp with new board and everything.
I have the cryoed Tung sol in the line stage, Mullard 5ar4 on the PS and stock Sovtech 6n1ps and 6c45s on the phono stage. I also asked for the mono switch and 100 ohm load impedance for my Koetsu cartridge which has an internal resistance of 5 ohms.
It's hard to compare it with the older version with ss power supply. I know the mids have more flesh but I don't know if the overall pace is the same or not because it's been many months without a SWL in my system. I can only relate the sound in comparison to my backup line stage, Von Gaylord Legend 2. When I first got SWL more than a year ago, I was immediately floored by the rhythm and pace that it had. The tight bass and clear and fast presentation with dynamic impact was my impression. Then I sent it back for the upgrade and fell back to my old preamp. The Legend preamp, BTW, has a nice bloom (RCA red base 5692s) that is great with vocals and strings. When I put the SWLP back in with tube rectified PS, my first impression was there is no difference.
What the heck? Then I listened to it for the last 3 weeks. Now, I know that there is a difference. It has practically all the rhythm and pace it had before. I think the bass may have relaxed a hair but the highs may actually be a bit more airy. The midrange is where the big difference is. There is a lot more meat to the bone. It sounds like a full octal preamp with rhythm and pace of a ss. The sound stage is also deeper than what I remember. I get a more holographic image of the stage.
I have not had a chance to really compare phono stages. It sounds good but I haven't really compared it to my trusted Art Audio Vinyl One or EAR 834P on hand. I will follow up on that later. I am excited by having the mono switch for those old records.