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So does that mean that single ended inputs are equally as good as balanced, or that balanced inputs are no better than single ended?Just trying to understand, not being picky or difficult. Let's try these options.- too close to call, equally as good- the difference is noticeable but not by much- there's a significant difference- no brainer- other (your choice of words)I appreciate your opinion, and for sharing your experience.
Thanks, guys... I really appreciate hearing from you since you all have both amp boards, IR and Super D.Ray, sorry to be confusing. My wife says I'm that way most of the time. I found your observations helpful.Steve, thanks for sharing your experience as well. I hear you saying that the Super D has depth of soundstage that the IR does not have. However, the width of soundstage should extend well beyond the speakers with either amp, right?Keith, about the additional control, that could be difference between having an amp with 60 wpc and 125 wpc, especially driving those wonderful speakers you have.In Tom's description of the Super D amp, the only difference between the two amps except the balanced input stage, different heat sink, molex connectors and adjustable gain is the following statement which supports what you all are saying..."Our Super D Series amps provide more life-like imaging and sound stage."Both are obviously very good performing amps. At the current prices, one can't go wrong either way, just depends on your needs. Thanks for all your input.
I say unless it's money that can easily be parted or you need balanced, stick w/ the regular IR amps and use the cost difference on other upgrades. We spent 50 pages extolling the basic IR amps for a reason. Anyways, before long Tom will have Super Duper class d amps I'm sure or other improved product...
I think if your looking for the absolute best bang for the buck, you nailed it. I only have about $400 into my Super with upgraded Panasonic caps in diy wood case. I am yet to swap out the bridge, i will report back on this one as it looks a little intimadating. The stock one isnt giving me any issues.
If you can't hear imaging, then get the less expensive CDA version.
Hi guys,I'm a newbie from India. I joined this forum some time ago but couldn't dedicate much time to go through various posts which I must admit are very very informative. BTW, I'm a member of www.hifivision.com, an India centric AV forum.I had heard about Class D audio & have made a payment for IR based amp. However, Tom insists that I made payment for TI amp. Now I found a new dimension i.e. Super D amp. In addition there are SDS and CDA amps I'm required to reply Tom immediately & may not have sufficient time to go through this thread immediately.I understand that super D amp is the most expensive.Can any of the audio experts advise me which one to go for if cost is not a limiting factor?Which Amp costs eventually what i.e. including casing, transformer, power supply et al.Sorry for bothering you but your advise will be a great help for me.RegardsRajesh
Welcome Rajesh!It might be easier to tell us what speakers you're going to drive. Also, what source(s) you may be using with what pre?
Hi everybody,I'm really thrilled with the immediate voices of concerns & advices. So kind of you all.I'm using the following equipment:-Source: Marantz CD 6003 (Recently bought)Amp: Denon PMA 520 (Very old may be a decade)Speakers: DIY Full Rangers made using Kenwood drivers (Very Old)The speakers have low sensitivity (85-86db or thereabouts)So I'd say, I'm looking to change them too.One of my friends Richie, who is much more experienced than me has suggested First Watt Bi Buffer Pre Amp (DIY) and GR Research N2X bookshelf speakers.What is your take on the whole idea?I can afford to buy the Super D kit.RegardsRajeshI was looking to upgrade only my amp but considering all things, I'm in the process of thoroughly overhauling my system.