What classical music you listening to, luv?

andolink · « **Reply #2220 on:** 11 May 2018, 04:17 pm »

J. S. Bach:
“Es Ist Nichts Gesundes An Meinem Leibe”, BWV 25
“Warum Betrübst Du Dich, Mein Herz?”, BWV 138
Hana Blažiková (soprano), Damien Guillon (alto), Thomas Hobbs (tenor), Peter Kooij (bass)
Collegium Vocale Gent, Collegium Vocale Gent Orchestra
Philippe Herreweghe

andolink · « **Reply #2221 on:** 11 May 2018, 04:18 pm »

Alexander Goehr: Symmetry Disorders Reach for piano Op. 73 (2002)

andolink · « **Reply #2222 on:** 12 May 2018, 11:36 am »

David Gorton: Fosdyke Wash for piano and string quartet
Zubin Kanga, piano
Kreutzer Quartet

andolink · « **Reply #2223 on:** 12 May 2018, 03:20 pm »

Gabriel Pierné: Piano Trio, Op. 45
Soloists from the Luxembourg Philharmonic Orchestra

Terry U · « **Reply #2224 on:** 12 May 2018, 05:10 pm »

I'm half Finnish, what can I say

andolink · « **Reply #2225 on:** 13 May 2018, 05:10 am »

Dmitry Shostakovich: Symphony No. 4 in C minor, Op. 43
Royal Liverpool Philharmonic Orchestra, Vasily Petrenko

andolink · « **Reply #2226 on:** 13 May 2018, 12:35 pm »

Philippe Manoury: In Situ for orchestra and ensemble (2013)
Ensemble Modern - SWR Sinfonieorchester Baden-Baden und Freiburg, François-Xavier Roth, conductor

andolink · « **Reply #2227 on:** 13 May 2018, 03:26 pm »

Johannes Brahms: Piano Trio No. 2 in C major, Op. 87

andolink · « **Reply #2228 on:** 14 May 2018, 07:36 am »

Johann Christian Bach: Quintet in C major, Op. 11 no. 1

andolink · « **Reply #2229 on:** 14 May 2018, 12:03 pm »

Late 14th century songs from the Chantilly and Modena Codexes–‘Ars Subtilior’

andolink · « **Reply #2230 on:** 14 May 2018, 02:58 pm »

F. Joseph Haydn: Symphony No. 42 in D major

andolink · « **Reply #2231 on:** 17 May 2018, 08:27 am »

Arturo Fuentes (*1975)

Modular (2009) for violin and bass clarinet
Barbara Lüneburg, violin · Michael Wagener, bass clarinet

Antecedente X (2006) for tenor saxophone, piano and percussion
Burkhard Friedrich, tenor saxophone · Ninon Gloger, piano
Jonathan Shapiro, percussion

Lightness (2009) for violin and live electronics
Barbara Lüneburg, violin

Passatempo (2009) for ensemble
Guiomar Espineira, flute · Michael Wagener, bass clarinet
Barbara Lüneburg, violin · Ninon Gloger, piano
Jonathan Shapiro, percussion

Plexus (2009) for tenor saxophone and live electronics
Burkhard Friedrich, tenor saxophone

Formantes (2008) for flute, bass clarinet and piano
Guiomar Espineira, flute · Michael Wagener, bass clarinet
Ninon Gloger, piano

ensemble Intégrales

andolink · « **Reply #2232 on:** 17 May 2018, 11:43 am »

Alexander Goehr: Metamorphosis/Dance, Op. 36

andolink · « **Reply #2233 on:** 17 May 2018, 04:26 pm »

Heinrich I. F. Biber: Mensa Sonora (‘The Sonorous Table’)

andolink · « **Reply #2234 on:** 19 May 2018, 11:30 am »

andolink · « **Reply #2235 on:** 19 May 2018, 01:30 pm »

andolink · « **Reply #2236 on:** 19 May 2018, 01:31 pm »

Gabriel Fauré: Cello Sonata No. 1 in D minor, Op. 109

andolink · « **Reply #2237 on:** 19 May 2018, 04:33 pm »

Johannes Brahms: Trio in A minor for clarinet, piano and cello, Op. 114
Martin Fröst, clarinet
Roland Pöntinen, piano
Torleif Thedéen, cello

maty · « **Reply #2238 on:** 20 May 2018, 06:59 pm »

Bruckner Symphony No. 4 Romantic LP 180 Gram Vinyl Klemperer Philharmonia EMI Hi-Q Supercuts 2016 EU

http://www.vinylgourmet.com/en/music/901-bruckner-symphony-no-4-romantic-lp-180-gram-vinyl-klemperer-philharmonia-emi-hi-q-supercuts-2016-eu.html

DR11

Quote

"..this is in my opinion the best Bruckner Fourth now available." Deryck Cooke, Gramophone, May 1965

Klemperer uses the Nowak edition of 1953, based on the 1886 revision of the score and gives and idiosyncratic interpretation, with outer movements faster than you would expect from this conductor, that nonetheless preserves the architecture of symphony, captured in vintage EMI/Kingsway Hall sound.

In the review of the stereo LP in The Gramophone of May 1965, Deryck Cooke, no less, enthused -
"This is one of those rare occasions when a Bruckner symphony is presented in a single span, and the blazing climaxes seem all the more inspiring because they're revealed as growing quite naturally out of what has gone before... Klemperer's performance has a mighty and noble objectivity throughout."

eljr · « **Reply #2239 on:** 21 May 2018, 10:55 am »

Jacek Kaspszyk / Warsaw Philharmonic Orchestra
Polish Music: Mlynarski, Weinberg, Penderecki

Release Date March 30, 2018
Genre
Classical
Styles
Orchestral