So I've been reading up on this subject and have found some answers/articles that I found useful and may be helpful to others.
- Larger drivers are supposed to beam. Will an 8" driver be fine to use? I don't want a few inches of sweet spot.
Apparently there is no exact math but the beaming starts at freq whose wavelengths equal to the diameter of the driver. You can read some stuff here...
http://www.troelsgravesen.dk/Beaming.htm- How do I decide the crossover point? Do I find the F3 of the fullrange from the stated SPL or do I use the F3 as calculated from the baffle step loss i.e 4560/baffle width in inches?
Found this series on this very forum (I know, I should have checked)
https://www.diyaudio.com/forums/multi-way/189847-introduction-designing-crossovers-measurement.html- In MJK's article about calcuating the depth of the U/H Frames he says.. "The depth was selected to push the first quarter wavelength resonance above the desired crossover frequency of approximately 200 Hz." What exactly does first quarter wavelength resonance mean? Appreciate if someone explain this a bit. Also which resonant frequency he is referring to and why do we need to push it?
I was lucky to stumble upon resonance of air columns as I hadn't thought of the H-Frame as a cyclinder closed on one end. If you go to
http://hyperphysics.phy-astr.gsu.edu/hbase/Waves/opecol.html#c1. Actually this site is great as it explains a lot about acoustics in general. Just click on the links at the bottom to see the mindmap style navigation.
- How much above the crossover frequency should we aim for? e.g say if the crossover is 140Hz then what is good?
As MJK wanted to cross at 200Hz, he chose the dimensions that pushed the first resonant freq to 262Hz. My guess that the intention is to avoid resonance effects so it MIGHT depend on the slope chosen. i.e if we have a steeper slope like 24dB/Octave then we could cross closer to the resonant frequency. Again the above link to designing crossovers might help.
Feel free to correct me if I'm wrong!