I usually prefer the original master to the remastered "to modern standards" version. Of the dozen or so $50 audiophile pressings I have purchased, all of them had noise that I felt was unacceptable for that kind of money when virtually every LP bought at the end of the real vinyl era was dead silent. For the price of a new audiophile pressing I can try a couple times (if necessary) to find a nice copy of the original master version. Because only a few thousand copies will sell, audiophile pressings are limited to the famous classic recordings that have perennial demand. Of the few that I have compared, I have found that the vinyl version of new releases are generally inferior SQ to the digital release, even on so-called audiophile labels like Linn. ymmv