Dave
I think the issue with the instrumentation was ground to neutral noise. In a large 8 story building with a lot of heavy loads and a convoluted distribution system there was a lot of potential (pun intended) for problems and we experienced many battles with manufacturers over this issue.
The major fault was with computers embedded in the instrumentation going off the rails for no apparent reason. In the early days of computer based instrumentation many engineers did not understand the line noise issue. These days it is not an issue at all. Better training, testing and regulatory standards.
There continues to be a problem with audio equipment being built with poor and inconsistent grounding practices. With balanced connections there is the pin1 problem. The solution to this is well known at this point but there does not seem to be a will on the part of manufacturers to standardize grounding practices so you can connect different brands of equipment and have a hum free system. An isolation transformer may offer a solution in some cases.
Brian
What is up with the pin 2/3 hot thing anyway? Never could figure that one out. I think it was Mark Levinson (maybe) that configured pin 3 hot just because he could. The TRS standard just never made it to XLR in a consistent manner. I've always wired pin 2 hot because that is the way 'most' gear is done. There is always that one odd piece of gear though.
Grounding in audio should be very easy, but I think that the advent of printed circuit boards (the cheap ones - where manufacturers don't want to pay for copper) really hosed the audio community. I build tube guitar amps with AC heaters and seldom have hum as an issue. I guess the wildcard in all of this is digital and analog on the same board. I don't know enough about PCB design to know what is good and what isn't.
Now look who's rambling...
Dave