Yes, that is us. We are releasing a new driver design tool which predicts cone, dome, dust cap, surround, and spider behavior. Thus the reason I have been looking into DYNAMIC behavior/testing of spiders (not static!).
It sounds like some of the companies that I work with to produce the drivers that I design need this software of yours. Maybe then they can figure out how to hit the parameters I dictate to them without having to build four or five samples. And while I can dictate the materials that I want used, and specifics about the motor design, voice coil, and parameters that I need, I still can't choose for them the spider needed to get them there. They go through a little trail and error there.
It's a lot tougher than you think. There are large variances on acceptable spiders. To be honest, i find it amazing that two identical speakers even sound similar with all the variances in materials and labor. Just one drop of glue running out into the spider drastically changes everything.
I had a manufacturer build out an 8" woofer for me that was to be used by one of my clients. It looked pretty good and hit the numbers real well, but had just a little bit too much break up in the upper range and I really needed it solved. So the engineer told me he thought he could take care of it and he'd try to have a new sample in a few days.
It only took a few hours to have a new one assembled. Then they would run it in with steady signal for a day to get some burn in time on it. It then would set for 10 to 12 hours to cool down so they can measure it and get some reasonable T/S parameters.
The next sample looked considerable better. The parameters were the same but the break up was gone. So I had to ask, what did you do to it? He said he used an adhesive on the surround that dried soft verses the adhesive used on the first woofer that dried harder.
Sometimes something simple can have a great effect.
But, I digress. In order to discuss the original topic, get out of the frequency domain and think in the time domain. While FR is a steady state response, Mr. Richey is talking waterfall: that is time domain (actually a hybrid of the time and FR). Two drivers with identical steady state FR can behave totally different in the time domain. But, now we are starting to get into linear and non-linear damping. Egads!!!!
I know, these guys don't understand what I am talking about when I try to explain the difference that is seen in the time domain, and what the the burn in effects are really doing.
This discussion is getting a little metaphysical. Although Danny and I probably do disagree on the practical significance of break in, I don't think the disagreement itself has much practical significance. I can see where box tuning might be affected by meaurements taken after 10 seconds of woofer play vs 100 hours, but I don't think the crossover design will be. That's something you can check easily--just measure the frequency response and phase tracking of a given speaker repeatedly over a period of time. When I've done this (and the speaker used one of Danny's woofers), I sure couldn't see any difference. So I would have come up with the same crossover no matter where the woofer was in its real or imagined break in period. I guess you can spin a tale about cone midrange response curves changing at the low end over time and therefore impacting the woofer-mid cross in a 3-way, but again I haven't observed that. So maybe I'm wrong about the audibility of break in. Could be. But I don't think it would affect my crossovers.
Dennis, I agree with you, but you still are not understanding what is going on.
Yes we agree that the burn in effects hardly change the box tuning and it has almost no effect on the response measurements that we use to design a crossover with. It has some frequency response effects below 200Hz but that's about all. So it has no baring on anything you or I see on a SPL based graph.
What you don't see yet is the effect that the burn in time has in the time domain. Even looking at the spectral decay that shows stored energy and frequency can allow you to see the differences that the burn in time is having on the driver.
Ever notice how the guys that claim the speakers are changing over the initial hours of play always say that the sound gets smoother. Vocals get more relaxed, and even detail levels are better. Those are not effects that happen by getting used to a speaker. If a speaker is bad, harsh or hard to listen to, you don't get used to it. Those are issues that are glaring issues like a head light shinning in your face. You don't get used to it. What they are describing is a result of less stored energy. The driver is no longer ringing like it might have been at first. It settles faster. So vocal regions are cleaner. And there is more space between notes in the upper ranges.
Does anyone else understand this yet?