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...Whether you prefer one or the other is completely subjective...
I own them so I can comment over any speculation. It's true Maggie makes them to a price point and improve with mods... i think im the only person here with the full mod.
Well said, Jim. I hope I didn't come across in that manner - not my intention. My only point is that different folks like different strokes. There's no reason to expect absolute agreement on such matters and nobody is 'right'. Actually, everyone is 'right' - as long as we define right in terms of personal preference. I don't know about you, but I'd rather not live in a world of uniformity. I cherish diversity.Peace.
And Merry Christmas to you guys. I believe it was this very topic that brought you to AC, so I understand and agree completely with your attitude of to each their own.Whether Gunned or some other mods, it seems universal that improving the mounting of the driver assembly and working on the crossover/fuse box improves the sound quality. I've got an idea that you don't need to get rid of the MDF, just mount it better. e.g. Make a stand that braces the MDF up higher in the frame a la the Mye stands, only including a brace for the whole length of the MDF panel. I'm also unconvinced changing the crossover design improves anything, more just improve the components of the crossover.
Not quite true. I also have PG modded MMGs, and since I EQ my system with a DEQ 2496, I also run frequency response tests. Unfortunately, the format of the DEQ's output does not really lend itself to easy posting here, although there are some on my FRT thread. http://www.audiocircle.com/index.php?topic=107064.0If you'll accept a verbal description of the before-and-after effects of the mod: after, the bass energy in the 50-to-80 Hz range was greater, centered on about 63 Hz. Also, the midrange energy around 630 Hz was gtrater, too, and the high treble >8000 Hz was a bit diminished. When I used the DEQ to linearize the power response at the listening position in my less-than-ideal listening space, I found that the resulting EQ curve was flatter than stock MMG, indicating that the PG mod helped flatten the response over stock.Oh, and the other results of the mod were: percussion became a LOT more "real" to the point that the knock at the door on Pink Floyd's "Comfortably Numb" makes me think someone really IS knocking at my door, and they do rock a LOT more convincingly than in stock form. Oh yeah, they're physically gorgeous, too. Anyone interested in auditioning these who can get to central/western Maryland PM me. Bring along stock MMGs; should be an interesting afternoon!MGbert
I don't wish to be a smart ass, but what else is there beyond the braced wood frames with a different and externalized crossover (in a pretty box) besides the about face of the pole piece? I reversed my panels as well – after experimenting with them in that orientation. I was shocked by the difference when I tried it, not because of how dramatic it was, but because there was precious little change. I guess I learned why Jim Winey referred to the plate of holes to which the magnet strips are glued as acoustically transparent. There are two advantages which drove my decision to leave the panels in that orientation: it puts the more resilient side facing the greater possibility of inadvertent impact and it leaves the Mylar side exposed for easy access should I ever need to repair delaminating wires.
A long time ago I read about someone who suspended them from the ceiling - has anyone here done that?