Regarding the single NQ driver output, that is a very interesting question. Danny uses this configuration in the NX-Studio Monitor but in a sealed cabinet and does incorporate them with servo subs.
The concept using the LGK drivers is essentially the top end of a Wedgie monitor. Looking at it now, I would look at narrowing the baffle to the same width as a Wedgie design above the waveguide. This concept intrigues me the most just because those LGK's from what I hear are just so fast and detailed, and you have two drivers that don't take up much more room versus the one NQ driver; so in theory you may get a little more output (I could totally be wrong). As far as balance between the drivers and output for the midrange with these concepts, I simply do not have the expertise to guess. Another potential concern is having the woofers so close to the tweeter. I am not sure if that would cause any issues.
I will say I have heard some 3 way designs where the midrange was above the tweeter, with the woofer below on the bottom. Granted these were sealed box towers, but I always thought putting that mid range on the top like that really created a nice spacious sound with a box speaker, especially with vocals and horns. These are just concepts that have been stuck in my brain and trying to incorporate the woofers in the design to gain more low mids, to me that is such an important part of the music. I will be the first to admit from a speaker design standpoint I am not qualified to even discuss if these concepts are even doable. I would love it if something like this was possible, with my space limitations and layout I could have something a little closer to the NX-Otica. Of course assuming with these concepts, adding the woofers there would be anything at all the gain compared to the MTM NX-Otica or Wedgie with servo sub. I think there could be, if you don't lose too much of the mid output.