Hey all,
I’m coming to the last stages of my Amp4 project, where I’m deciding on some of the perhaps more trivial parts. I’ve already sorted out the input caps (Jensen 2.2uf PIO), output caps (Wima MKP2) and torioid inductors (Metglas Cores). However, there are just a few bits I’m undecided on, and would appreciate any feedback available.
Firstly,
the electrolytic caps. While many claim Blackgate are the undisputed champion here, they are indeed a considerable amount of money (that said, I did get Jensen PIO for the input

) and more importantly, I trust Michael Mardis’s word when he says they aren’t really suited for this amp. Therefore, after considerable searching, I’m left with generally two choices that seem good for most caps. Firstly, the Elna Cerafine. From
what I’ve read about them they offer a good compromise between the ‘naturalness’ of the Silmic II, and the ‘directness’ of the Blackgates, and I’m assuming they’re suited to this application. My second choice is the Panasonic FM series. While rather less impressive, they’re still meant to be ideal for this situation, and are rather cheap too. The various capacitor situations and my thoughts on it are as follows:
2x 10000uF 50V – These caps I do not need to consider, as they’re for AC smoothing, which is unneeded with my battery source.
1x 10uF 10v , 1x 1000uF 10v, 2x 330uF 35V – These caps can all be Elna Cerafine quite easily. There are several places that sell this size range of them but
Audio-cube (although they’re currently on holiday) have the best range.
2x 1500uF 35V – These power supply caps are rather important. However, I’ve found it quite hard to find Cerafines in a suitable voltage/size. Audiocube doesn’t stock them, and while
the PDF they link to on that site doesn’t say that Elna do anything that large (might be old) I’ve seen several 10KuF caps and some 63V ones on ebay in the past, so they must have been made sometime. Anyone any ideas on where I might be able to source these? If all else fails, I could quite happily go for the Panasonics here, probably to be sourced from Farnell UK.
Next issue, is the input hook-up wire. I’ve been convinced using shielded wire is the way forward, as I have a particular noise issue in my amp’s to-be home (PC, and various other noise makers). However, there’s still quite a list that I have to choose from. If you’d like to express any opinions on your preferred it would be great.
Weisd - Belden 8442 $1.02 / foot
DIY Audio Store-
Oyaide Pa-02 $35 AUS /metre ($27.57USD) (A bit pricey...)
DIY Audio Store-
Mogami W2893 $4.25 AUS/metre ($3.35USD) – AWG26
Percy Audio - Mogami 2534 - Four conductor (24ga) 6mm D shielded microphone cable OFC Neglex copper $1.15 per foot AWG24
Percy Audio - MUSIC METRE IV A quasi solid core design comprised of four insulated strands, 3x28ga & 1x34ga per + & -, utilizing a high purity Teflon insulated OF copper, foil shield (40pF foot shielded), 7mm D… $7.50 mono foot
Percy Audio - Canare Star Quad: The L4E6S four conductor (21ga) 6mm D microphone cable 44, 57pF/foot, black 6mm D… 95¢
Next, I’m considering making myself some new
Cat5e speaker cable, specifically
VHaudio’s DIY project. However, the site does state that they will be of high capacitance, and that this could prove a problem for some amps. Even though I’m not going to be using lengths any long than say 2.5m (and there are Zobel caps in the amp4 design), would this be the case with Tripath amps? If so, what would you advise?
Lastly, I’ve already chosen my
attenuator from the bargain one on
diyfidelity, but I’m still undecided as to which resistance is best. I remember someone telling me Scott Endler said 10Kohm was preferred, while Vinnie of Red Wine Audio fame prefers 20kohm. I’m not really sure how to judge this.
Oh, and on a side note –
banana plugs…what are your favourite?
If anyone can offer any advice to help me finish off this project, it would be greatly appreciated.

Thanks to all who post,
Peter