Active design has multiple advantages that logically (and more importantly by ear) are hard to deny.
In general studio monitors are working speakers (draft horses). They are no nonsense tools, designed for near-field listening (on a studio bridge), image well, but have a dry/often fatiguing presentation (the better to reveal all the warts). Genelec are some of the best at all the above attributes. Of course Scandinavian speakers tend to be on the dry side (and expensive) to start with.
Contrast that with home speakers that are more like our pets, meant primarily to provide emotional satisfaction. If audiophiles were completely honest, we'd admit wanting speakers that flavored to suit our tastes. The real question is: can you handle the truth?
Active monitors that bridge the gap include:
Adam A3X ($650/pair, 2-way, ribbon tweeter, nicely sized for desk top use, F3=60Hz, single/front volume control, highly resolving/can fill a room)
Avi ADM9RS ($2700/pair, 2-way, compact, F3=60Hz, remote, DAC, non-fatiguing, plays well at high or low volumes)
Focal CMS 40 ($900/pair, 2-way, also compact, F3=60Hz, front volume control (each), fuller bass, more dynamic but less airy than the A3X)
Neuman KH120 ($1500/pair, 2-way, also compact, F3=54Hz, rear volume control (each), very clean/neutral/transparent, adding sub better than going 3-way)
Quad 9AS ($1500/pair, 2-way, compact, cherry finish, front controls and remote, includes DAC, questionable availability)
Serene Pebble ($500/pair, single driver, very compact, F3=70Hz, leather/bamboo cabinet, sweet/engaging/natural/uncolored/dynamic/non-fatiguing, design premise - low non-linear distortion)